Future Fair: Rite of Passage: 535 W 28th ST, New York, NY
Future Fair returns to New York's Chelsea Industrial for its sixth edition, bringing together 68 local, national, and international exhibitors.
Abigail Ogilvy Gallery is proud to present Rite of Passage, a group exhibition featuring new artworks by Alison Croney Moses, Tallulah Dirnfeld, Elizabeth King Stanton, and Natalia Wróbel.
Location: Chelsea Industrial, 535 W 28th ST, New York, NY
Dates: VIP Preview: May 13 | Open to the Public: May 14-16
Booth: R4
Tallulah Dirnfeld lives between Los Angeles and NYC, and is an artist known for her emotionally charged oil paintings that blend surrealism with psychological depth. A self-taught painter with a background in horror film productions, Dirnfeld crafts haunting, dreamlike scenes that explore themes of memory, identity, and femininity. Dirnfeld, in 2024, presented her debut solo exhibition at Sade Gallery. She completed a residency at La Scuola Internazionale Di Grafica in Venice, Italy, and had her debut solo exhibition, I Was Always Good, at Abigail Ogilvy Gallery in Los Angeles in 2025.
Natalia Wróbel is a Polish-American artist born in La Jolla, CA. She received her BFA in Studio Art and Art History from Dartmouth College followed by an Independent Atelier at the New York Studio School (NYSS). Her work has been featured at art fairs including Volta Basel: Switzerland with Abigail Ogilvy Gallery, Art Basel: Miami, Texas Contemporary, and Art Southampton and has been an official selection at the Museum of Fine Arts Boston and MassArt Auction. Her paintings have been featured in publications in the US and Europe ranging from spiritual texts, literary theory, scientific journals and poetry, as well as in computer science coursework at The Massachusetts Institute of Technology (MIT). She lives and works in San Sebastián, Spain.
Elizabeth King Stanton is a painter living with her husband and daughter in New Bedford, MA. She studied painting at Rhode Island School of Design (MFA 2017) and Boston University (BFA 2011). Stanton's work has been included in group exhibitions at Abigail Ogilvy Gallery, the New Bedford Art Museum, Able Baker Contemporary, 315 Gallery, Saatchi Gallery London, Field Projects, and the Danforth Museum of Art, among others. Her paintings have been featured in Boston Home Magazine, Art Maze Magazine and New American Paintings. Stanton has been awarded artist residencies at Gallery Oak, The Umbrella Community Arts Center and ChaNorth. Her work is in the permanent collection of Fidelity Investments.
Alison Croney Moses is a Boston based artist born and raised in North Carolina (USA), by Guyanese parents. Her works are in the collections at the Detroit Institute of the Arts, Museum of Fine Arts Boston, Renwick Gallery of the Smithsonian American Art Museum, Museum of Fine Arts Houston, the Rose Art Museum at Brandies, and the Fuller Craft Museum. She is a recipient of the 2023 Boston Artadia Award, the 2022 USA Fellowship in Craft, a finalist of the 2024 LOEWE FOUNDATION Craft Prize, the recipient of the 2024 Black Mountain College International Artist Prize, and the 2025 James & Audrey Foster Prize at the Institute of Contemporary Art, Boston. Her work has been featured in American Craft Magazine Boston Art Review. She was named one of the 2023 WBUR 10 Makers and is currently one of the Triennial Accelerator Artists for the 2025 Boston Public Art Triennial.
